![]() Once upon a time, I asked my teacher Venerable Geshe Kelsang: “There are a ton of male lineage Gurus and Buddhas, but there are really no role models for women in this tradition, apart from Tara and Vajrayogini - who are even supposedly one person. So where are the female Buddhas I’m supposed to be becoming?” This is not the way to think about Dakinis, especially if you are a woman, or maybe even more so if you are a man! A life-changing conversation with my Spiritual Guide People don’t always feel a strong personal relationship with the Dakinis. I don’t know, I’ve just heard people talking like this. Even someone said the other day that Dakinis were just the invention of men with too much time on their hands, to help male practitioners! And that view is not uncommon. Geshe-la then spoke to me for an hour on this subject. He explained about misogyny in ancient India and Tibet, explaining that there were many enlightened females, but due to the structure of society they were either not able to teach or else they were only able to teach a few disciples. Therefore, they didn’t become famous, or known as lineage holders even if they were.īut actually, he continued, you have many role models, because every female Dakini in Heruka’s mandala was a female practitioner just like you. This conversation changed everything for me. Not “real” in the sense of inherently existent, but you know what I mean - they really existed. They were actual people. They had histories, even if those were lost to the mists of time. ![]() They were role models. They were powerful. We still have their names. And the more over the years as I’ve gotten to know them, as I’ve felt more and more guided by them, the more enjoyment I have gotten from my Tantric practice. Geshe-la also went on to explain and demonstrate all the good qualities of female practitioners, including their relative humility and fearlessness compared with men. He talked about the vital need for female teachers, both ordained and lay, in the modern world. But I won’t rub it in!, there are men reading this, lol □ Dakini natureĭakinis are extraordinarily free, blissful, transcendent beings. ![]() Every one of us, male or female, has not just Buddha nature but Dakini nature. The terms “Hero and Heroine” and “Daka and Dakini” are interchangeable.
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![]() In Drakengard the dragon gains greater attack power as it gains experience and levels up. It also has two difficulty modes, Easy and Normal. In Free Expedition Mode the player can jump on and off the dragon for a combination of both playing styles. In the less-common aerial missions the player flies on the back of a dragon destroying enemy fortresses in mid-air, which was repeatedly compared to Panzer Dragoon Orta by reviewers. The ground missions, where the player and their party run on foot attacking enemies, have often been compared to the hack and slash gameplay of the Dynasty Warriors series. Years later, in an interview with GameInformer, Yoko reveals that the original, rejected plan for Ending E consisted of the player battling a giant version of J-pop idol Ayumi Hamasaki in a singing competition to decide the fate of the world.ĭrakengard features three basic gameplay types: ground missions, aerial missions, and Free Expedition Mode. He adds that the phrase used for this ending is "a rip-off" of The End of Evangelion, which is a series he considers a spiritual inspiration of sorts for Drakengard's gloominess. ![]() Yoko became quite fond of the reaction it had on the team and players, and it was one of the reasons why it was revisited again for Drakengard's alternate continuity, NIER. The ending wasn't shown to the entire team until the very end of development Shiba hated it once he saw it. The E ending (Tokyo ending) and its dramatic gameplay change were added by him and a small group of developers to be a "surprise joke" for players –following a similar train of thought as the UFO endings in Silent Hill. In his eyes, Furiae and her many monstrous clones in this ending represent how shallow and heartless these sister characters are in fiction. At the time, Sister Princess was the prime source of his ire he doesn't like the current title which represents this idealism, Oreimo. Yet the B ending represents his opinion for fetishism regarding the superficial "idealistic younger sister". He made them with the intents to present unexpected and painful experiences for the playable cast. Even so, Yoko considers Iwasaki the "true father" of the series since he pushed for the project's completion the most.Īlthough the game is infamous for its multiple "bad" endings with fans, Yoko doesn't feel the same way. Iwasaki and Shiba had no experience writing stories and were mainly driven to have as many game mechanics and content as possible over creative issues. Yoko was originally planned to be the art director. In another part of the interview, Yoko confesses that he became director only because Iwasaki was too busy with other projects at the time. He is personally surprised to learn that the characters have stood the test of time in people's memories and had no idea the game has a fanbase. Yoko felt Drakengardwouldn't stand a chance against Dragon Quest or Final Fantasy if the characters were normal. Many of the characters' odd quirks and personalities were conceptualized by him for the sake of originality. He strongly resisted them multiple times as he sought to keep the landscape surreal and dreary for the game's tone. One particular example which he named was how executives kept pressuring him to have a blue sky for natural realism. He reveals later that a jump feature was originally in the game but was too buggy for the programmers to fix it had to be removed due to time constraints.Įven back then, Yoko remarked that he had to fight a lot with Square-Enix to keep many of his creative decisions in the final product. They were rushed by Square-Enix to finish it within their deadline on one disc, a decision which still upsets Yoko to this day. Yoko revealed that Cavia was severely undermanned for Drakengard's development process and that he wanted to present the game on two discs. ![]() Shiba then pushed to include this title's gameplay into their project. ![]() However, Dynasty Warriors 2 came out during Drakengard's development and became a popular hit in Japan. Originally, Drakengard was going to be centered on just this aspect. Since there were members of Cavia who worked on Ace Combat, Iwasaki pitched the idea of making a dragon flight simulator. The game's theme revolves around pacts, as most characters initiate a pact with other entities to gain certain abilities, and must pay the price of the pact in return.Īccording to his comments within a Dengeki Online interview, Taro Yoko answers how the game's general concept was spontaneously conceptualized between Takamasa Shiba and Takuya Iwasaki during a night out at the bar. Drakengard, known in Japan as Drag-On Dragoon, is a PlayStation 2 role playing game developed by Cavia and published by Square Enix and Take Two Interactive. ![]() Therefore, you may need lots of bandwidth to stream multiple streams to your streaming servers on a constant basis. Stream your video to your own servers at the same time. So, avoiding viruses, hackers, and data loss is not the only reason why you should choose legitimate software. In an effort to keep the budget under control, some users turn to SAM Broadcaster Pro Activation Number internet radio software as a way to the transmission for free. The cost of using this software can be difficult for noncommercial radio stations, so searching for alternatives that are cheaper is attractive. It has the “ FM transmitter” feature and “Voice-Tracking” feature to help keep it on top of the game, and it also features FTP and Event Logs, along with statistics and an event scheduler. 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